TL;DR
Get furniture and decor delivered free with Prime
- Fast, free delivery on millions of items
- Prime Video, Amazon Music and more included
- Member-only deals all year
Korean-born artist Jae Ko’s exhibition Striated is on view at 22MUSE Gallery in Antwerp through Nov. 28, 2026. It brings together works from a formative period in her practice and a new site-specific installation, showcasing how she turns paper rolls and other everyday paper into layered, colorful sculptures.
Korean-born artist Jae Ko’s Striated exhibition is on view at 22MUSE Gallery in Antwerp through November 28, 2026, bringing together sculptures from a formative period in her practice and a site-specific installation. The show is Ko’s first solo exhibition in Belgium and presents works made by reshaping paper into dense, ridged forms that can evoke geological formations and landscapes.
Ko has worked with paper for more than four decades, using materials that include discarded office supplies, recycled kraft paper and adding-machine paper rolls. According to Design Milk’s report on the exhibition, her process starts with unwinding tightly coiled rolls, then rolling, twisting, folding, stacking and compressing the paper. The resulting layers create grooves and contours that remain visible in the finished sculptures.
Ko varies the process and finish from work to work. Some pieces are soaked in sumi ink, a soot-based ink used in Japanese calligraphy; others use pigmented inks in colors including blue, red, green and violet. She may also cut, carve, bind or bury the material, allowing time and environmental conditions to affect its final form. The exhibition’s saturated spirals and folded shapes can resemble tree rings or sedimentary rock, though they are made from paper rather than carved stone or wood.
Striated takes its name from the parallel lines and grooves that characterize many of Ko’s sculptures. The show pairs works from an earlier, formative period with an installation made specifically for the Antwerp gallery. The report describes the installation as part of Ko’s broader exploration of how accumulated paper can form large-scale structures; it does not provide dimensions or details of the individual works on display.
Paper Built Into Landscape
The exhibition makes a familiar, often disposable material the basis for sculptural volume and intricate surface. Ko’s work shows how repetition and compression can give paper a visual weight that contrasts with its usual association with lightness and fragility. Viewers can read the ridges as both the record of a physical process and forms reminiscent of natural patterns.
That focus on process also gives the exhibition a way to connect labor, material and time without depicting a single specific landscape. Each fold and compressed edge registers how the work was made, while the overall forms can suggest growth, erosion or accumulation. The Belgium debut also brings Ko’s long-running practice to a new exhibition setting, through a gallery presentation that includes a work created for that space.
Products Worth Considering
Philips Hue Large Smart Light Tube, Black – White and Color Ambiance LED Color-Changing Light – 1 Pack
Levoit Vital 100S-P Air Purifier with Washable Pre-Filter
Ring Outdoor Cam 4K Plus Battery Security Camera, 3-Pack, White
As an affiliate, we earn on qualifying purchases.
From Seoul to the Eastern Shore
Ko grew up in Seoul, studied in Japan and later moved to the United States, eventually settling on Maryland’s Eastern Shore, according to the Design Milk report. Her work draws on both urban environments from her early life and natural surroundings encountered later. The report also notes that Ko has compared aspects of her sculptures to bristlecone pine trees in the American West, whose forms are shaped over time by wind and weather.
Nature is an influence, but Ko’s sculptures are not presented as literal depictions of particular places or organisms. Instead, they explore forces such as growth, erosion, movement and accumulation. In large installations, densely packed paper bundles can loosen as they rise, producing surfaces that may recall hills, tides or glacial formations. Striated brings that approach into a gallery exhibition centered on the layered marks left by making.
““The accumulation of countless individual layers gives the sculptures a visual weight that belies the fragility of their source material.””
— Design Milk’s report on Jae Ko’s work
Exhibition Details Still Limited
The available report confirms the venue, exhibition period and inclusion of a site-specific installation, but does not give a full work list, installation dimensions or gallery schedule. It also does not specify whether all pieces use recycled or discarded paper, or provide details about the installation’s materials beyond its connection to Ko’s practice.
The report describes Ko’s methods and the natural forms her sculptures may evoke; those comparisons are interpretive, not claims that the works depict particular landscapes. Additional information about the exhibition’s programming, public events or the artist’s plans after the show was not provided.
Show Runs Through November
Striated remains on view at 22MUSE Gallery through November 28, 2026, according to the exhibition information in Design Milk’s report. The published material does not list a closing event, related talks or other scheduled programs. Visitors seeking access details or information about specific works will need to check with the gallery.
Key Questions
Where is Jae Ko’s Striated exhibition?
It is at 22MUSE Gallery in Antwerp, Belgium.
When does the exhibition close?
The exhibition is scheduled to remain on view through November 28, 2026.
What materials does Ko use?
Ko works with paper, including discarded office supplies, recycled kraft paper and adding-machine paper rolls. She uses methods such as folding, twisting and compression, and may add sumi or pigmented inks.
What does the exhibition title Striated refer to?
The title refers to the parallel lines and grooves visible across many of Ko’s layered paper sculptures.
Is the exhibition Ko’s first in Belgium?
Design Milk describes it as Ko’s first solo exhibition in Belgium.
Source: design-milk.com
